This is thrilling and almost dangerous.Īnd yet, although this is a profoundly politically aware album even that is not at the expense of sexuality. You listen to this and wonder how it sits with Obama conservatism, let alone that of hip hop's glittery illuminati. The Ecstatic begins with a clip of Malcolm X talking about meeting extremism with extreme methods and how he will join with anybody to make an extreme change. Taken as a whole, it's a wild and vivid dream, locked into the contemporary by Mos Def's omnipresent polemic. Herein you will find a spinning multi-coloured paint box where the punch of hip hop is tempered by unlikely shards of jazz and jazz-funk, soul, electronica and (I can't think of a better name for it) voice-doodling. The artistry remains understated, modest even and, yet again, it takes several plays before the gems begin to form. Instead, and, I suggest, uniquely, the music spreads to gargantuan proportions, an arena in itself where hip hop conservatism is allowed to play no part. Large sales - P Diddy if not Jay Z - would be an easier option, for no classic single has emerged from any of these albums.
Now 35, and four intriguing albums deep, he has managed to balance high-level cinematic excursions with a burning desire to remain a multi-genre artist. In a hip hop arena that often rewards the championing of ego over talent, Mos Def remains an enigma.
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